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conference image by Vi Khi Nao & conference design by Ethan Widlansky


Thinking Its Presence: Racial Vertigo, BlackBrown Feelings, and Significantly Problematic Objects

Pomona College

THINKING ITS PRESENCE 2023: 

An interdisciplinary conference on race, creative writing, and artistic and aesthetic practices

March 30, 2023- April 2nd, 2023

OVERVIEW

In Pedagogies of Woundedness: Illness, Memoir, and The Ends of the Model Minority, Dr. James Lee employs the condition of “cruel optimism” theorized by the late Lauren Berlant to scrutinize the ambivalent feelings Pauline Chen narrates in her memoir Final Exam: A Surgeon’s Reflections on Mortality. Lee further frames Berlant’s point by saying that “Cruel optimism is the condition of maintaining an attachment to a significantly problematic object…the fear is that the loss of the promising object/scene itself will defeat the capacity to have any hope about anything.” At the Thinking Its Presence conference this year, we have invited Dr. Lee to present his work and to turn his discussion to questions of how BIPOC scholars, writers, activists, historians, and artists manage both hope and its opposite affective feelings in their works, and how attachment to “problematic objects,” systems, and institutions produce and perpetuate difficult and violent conditions for the psyche and the body. Concerning the ‘body,” Dr. Valorie Thomas’s work on racial and diasporic vertigo is of particular importance here: specifically how the body “incorporat[es] the idea of trauma, displacement and dispersal that the African diaspora has experienced through the slave trade. . . . being uprooted and dislocated—and culturally disrupted and traumatized—that’s one version of vertigo.” 


We are celebrating the Claremont Colleges, California communities, and the Thinking Its Presence communities of past participants to present on these themes related to their areas of expertise (which include creative writing, scholarly, theoretical, and interdisciplinary work) and to invite their colleagues to present a set of panels related to these themes of racial and diasporic vertigo, necessary keywords in our fields, and problematic objects, through creative writing, literature, aesthetic practices, social justice, and performance studies.


Friday, March 31 • 11:00am - 12:30pm
Picturing Us: Kin, Kith, Kindred in and as Text-Image Relationships

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TITLE
Picturing Us: Kin, Kith, Kindred in and as Text-Image Relationships 
DESCRIPTION
In this panel, we celebrate and explore how poets have used text-image relationships to examine the tension between what the media studies scholar Thy Phu has described as the “inscrutable Asian” and the “beneficent model minority.” How have poets resisted the “visual domestication” of the Asian American by engaging the imagistic dramas of intimacy, domesticity, and bureaucracy captured in passport photographs, family portraits, and documents rendered as images?

Can a photograph or visual image embedded in a poetic text offer an opportunity for the racially marked reader of poetry to examine the triangulation between an unmarked (white) viewer/readership, their own subjective frame of reading, and the autobiographical and/or communal positionality proposed by the narrator/speaker? How might this triangulation radiate an emergent kinship or kithship into chromatic communities (of an us of color and an us of migrancy) through acts of reading as looking and vice versa?

Through readings, quick studies, celebratory snapshots, and notes from scholarship, we explore how the story of a nation teeters on the hyphen between text-image. We will contemplate the rhetorical and aesthetic functions of that medial hyphen in our own work and in the formal precedents that have both framed and pierced what Alan Trachtenberg has called the “American album.”

Aarushi Phalke will introduce panel. 

Speakers
avatar for Serena Chopra

Serena Chopra

Assistant Faculty, Seattle University
Serena Chopra (Assistant Professor of Creative Writing, Seattle University) is a teacher, writer, dancer, filmmaker and a visual and performance artist. She has a PhD in Creative Writing from the University of Denver and is a MacDowell Fellow, a Kundiman Fellow and a Fulbright Scholar... Read More →
avatar for Divya Victor

Divya Victor

Director, Creative Writing Program. Associate Professor, Michigan State University
Divya Victor is the author of CURB  from Nightboat Books. CURB is the winner of the 2022 PEN America Open Book Award and the winner of the 2022 Kingsley Tufts Poetry Award. It was also a finalist for the 2022 CLMP Firecracker Award (Poetry). She is also the author of  KITH (Fence... Read More →
avatar for Micheal Leong

Micheal Leong

Robert P. Hubbard Assistant Professor of Poetry, Kenyon College
Michael Leong is the author of the critical study "Contested Records: The Turn to Documents in Contemporary North American Poetry" (University of Iowa Press, 2020) and the poetry books "e.s.p." (Silenced Press, 2009), "Cutting Time with a Knife" (Black Square Editions, 2012), "Who... Read More →
avatar for Amarnath Ravva

Amarnath Ravva

Blending myth with interviews and first-person narrative, California-based writer Amarnath Ravva’s American Canyon (Kaya Press, 2015) uses prose, documentary footage and still photos to recount the fragmented and ever-evolving story of one person’s apprehension of the ghosts... Read More →


Friday March 31, 2023 11:00am - 12:30pm PDT
Benton Museum of Art at Pomona College